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Recent Projects
"The Three Musketeers" (2011)
Logan as D'Artagnan
Director: Paul W.S. Anderson
Status: Completed
More: IMDB | Official Site | Photos
"The Perks of Being a Wallflower" (2012)
Logan as Charlie
Director: Stephen Chbosky
Status: Post Production
More: IMDB | Official Site | Photos
"The Only Living Boy in New York" (2013)
Logan as Thomas
Director: Seth Gordon
Status: Pre Production
More: IMDB | Official Site | Photos
"Percy Jackson & the Olympians: The Sea of Monsters" (2013)
Logan as Percy Jackson
Director: Thor Freudenthal
Status: Pre Production
More: IMDB | Official Site | Photos


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Archive for the ‘Mag Alert!’ Category

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Written on Nov 13, 2012 by Angelic

I’ve added new scans of photoshoots of Logan Lerman featured in the new issue of “Visual Tales” magazine to the gallery.

GALLERY LINK:




Written on Oct 18, 2012 by Angelic

Logan Lerman, leading man in films such as Perks of Being a Wallflower, The Three Musketeers and Percy Jackson and the Lightning Thief  - and currently filming  Darren Aronofsky’s Noah - is our Film cover star in FAULT Issue 12. We are delighted to feature Logan as someone who so clearly resonates with the FAULT ethos of featuring inspiring individuals. Logan is a talented actor and (we were pleased to discover) a well-rounded personality to boot.  Just 20 years old at the time of writing, Logan is a young man who, by virtue of  his accomplishments, has already proven his ability at the highest level despite his relatively young age.

Logan was shot by Mike Ruiz and styled by Jenny Ricker in New York City for a 5 page exclusive FAULT fashion shoot. We spoke to Logan about his already lengthy and distinguished career, his approach to playing different personalities and what more there is to come from the young man from Beverley Hills…

GALLERY LINK:



Written on Oct 02, 2012 by Angelic

I have uploaded new photoshoots and magazine scans of Logan Lerman for NEO2 Magazine.


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Written on Oct 02, 2012 by Angelic

Ahead of the October 3 release of the much-anticipated teen epic Perks of Being A Wallflower,Wonderland talk to rising star Logan Lerman.

When it comes to big breaks, starring in the film adaption of a beloved coming-of-age novel, The Perks Of Being A Wallflower, is about as good as it gets. Logan Lerman, who portrays the troubled high-school freshman, Charlie, is feeling the pressure. He calls from Iceland, where he’s filming the Darren Aronofsky-directed Biblical epic, Noah, alongside his Perks co-star, Emma Watson. “I have no idea how much longer I’ll be here. Maybe a couple more weeks; maybe a couple more days.” Despite his dizzying schedule and a grumbling voice hinting at a need for some rest, Lerman’s still got Charlie on his mind.

“My concerns weren’t about pleasing the fans of the book, but more about getting to the place where Charlie is,” he says, which was “a little daunting”. Besides slight uneasiness, Lerman sounds nothing like the achingly awkward lost teen he plays in the film: he is articulate and composed, coming across as an artist far wiser than his twenty years. For the seasoned actor whose professional career began at five, including roles alongside Russell Crowe, Jim Carrey and Mel Gibson, it all makes sense.

But this time, it’s Lerman whose name is splattered across movie posters, though he shares much screen- time with a handful of young actors who portray Charlie’s fellow misfits. they include Charlie’s out-of-his-league love interest, Sam, played by Harry Potter’s Emma Watson, and Sam’s quirky gay stepbrother, Patrick, played by We Need To Talk About Kevin’s Ezra Miller. Despite the film’s dark script, the cast’s off-camera experience was lots of fun. “We literally took over the wing of a hotel [in Pittsburgh] and the whole hallway was filled with the actors – it was just like a dorm. Everyday we were in each other’s rooms, making music, getting to know each other.” In one particular bonding moment, Lerman fondly recalls them dressing as “Greasers” complete with gelled-back coifs whilst getting rowdy at a Pittsburgh Pirates ballgame.

Though, in Perks, the misfits’ cafeteria conversation often focuses on college applications to escape suburbia, the film also serves as a love letter to its writer’s hometown. In a pivotal scene, Charlie is dazzled by Sam’s rebellious ritual of standing on the back of a truck, 90s tunes blasting, while Patrick speeds through a tunnel and soars past Pittsburgh’s shimmering skyline. The screenplay, as well as the novel, was written by the film’s director, Pittsburgh native Stephen Chbosky and published in 1999 by MTV Books, going on to sell over a million copies. Still, there were stakes for Lerman.

“Perks was taking a gamble because it was a first-time director, but Stephen is just such a passionate, intelligent, fantastic writer,” he says. “My audition consisted of three scenes – one was where Charlie gets stoned for the first time, a romantic scene, and Charlie having a breakdown. It was three difficult places to get to emotionally in fifteen minutes.” Difficulty aside, Lerman, as we now know, killed it.

“Logan was the second person I auditioned for charlie, and after his audition, I didn’t need to see anybody else,” says Chbosky. “He fundamentally understood Charlie, and gave Charlie all of the humour, hope, vulnerability and kindness that the character demanded.”

With the buzzed-about flick set for October release, is Lerman prepared to potentially share Watson’s tabloid fame? “If that were ever to happen, I think it’d be pretty uninteresting. I’m pretty boring.” Still, Lerman’s tone also suggests that this pending unknown is both exciting and nerve-wracking – so much so that he has yet to view the finished film. “Watching myself having a nervous breakdown would be a little weird for me…”

When I bring up the Smiths-heavy soundtrack, Lerman unveils an apt reaction from someone who’s ascending toward Hollywood stardom, innocently asking “Is it good?” (I tell him it’s great). Considering his viscerally layered performance, I have a feeling that, very soon, Lerman won’t need reassurance of any kind.

Source: Wonderland



Written on Sep 22, 2012 by Angelic

I have uploaded new photo of Logan Lerman, Ezra Miller and Emma Watson on the cover of “Nylon” magazine.



Written on Sep 06, 2012 by Angelic

Logan Lerman’s 2007 trip to the Toronto International Film Festival ended with the then-unknown 15-year-old transformed into a rising star, thanks to the debut of his film “3:10 to Yuma” at number one that weekend. Back at the fest with the ensemble drama “Writers” and the eagerly-anticipated adaptation of beloved young adult novel “The Perks of Being a Wallflower,” Lerman is bracing for a repeat experience.

“It was kind of weird that first time; I was so overwhelmed,” Lerman says. “I’m older now.”

Lerman is only 20, but he’s packed a lot of work into the last five years, headlining big-budget blockbusters “Percy Jackson & the Olympians: The Lightning Thief” and the latest remake of “The Three Musketeers.” Toronto is just a jaunt between filming the sequel “Percy Jackson: Sea of Monsters” and shooting Darren Aronofsky’s “Noah,” starring Lerman’s “3:10 to Yuma” co-star Russell Crowe. Lerman’s schedule makes it clear: He’s in it for the long haul.

What’s ironic is that after years of working alongside high-profile stars (his first film role was as Mel Gibson’s son in “The Patriot,” and he co-starred in the WB’s short-lived drama “Jack & Bobby” as Christine Lahti’s son) and the success of “3:10 to Yuma,” Lerman hadn’t settled on acting as a lifelong occupation. Worried about a future in show business, he considered putting his burgeoning career on hold to attend college. “Then I had this moment where I realized that I didn’t care where I ended up,” he says. “I didn’t care if I was that guy who never went to college. If I failed as an actor, I would embrace it.” So rather than enroll in college, he signed on to do “Percy Jackson.” “I figured I’d do this big fantasy studio film and commit to the contract I have with them and start trying to do other films as well,” he says. “I just decided to fully go for it.”

That turned out to be the right decision; Lerman says that “Percy Jackson” changed his career “big time. I know that studios look at actors and see dollar signs. So it really opened doors in terms of being able to read more scripts and help get things made that I was passionate about.” Two such projects include “Perks” and “Writers,” the latter of which comes from first-time writer-director Josh Boone. The film stars Greg Kinnear as a famous author whose daughter is in a relationship with Lerman’s character. The job came to him as an offer, something that Lerman is still adjusting to. “It was really nice,” he says. “After so many years of auditioning, to just be asked is incredibly flattering.”

“Perks,” which premieres in Toronto Sept. 8 and hits theaters Sept. 21, contains Lerman’s most challenging role to date. Lerman stars as Charlie, an introverted high school freshman who begins to come out of his shell when he meets brother and sister Sam and Patrick, played by Emma Watson and Ezra Miller. The two bring Charlie into their group of friends, and the shy aspiring writer experiences such important teenage rites of passage as drugs, music, and first love. Lerman pulls off a brave, winning performance beautifully.

When writer-director Stephen Chbosky (who adapted his own novel) first met with Lerman, he wasn’t picturing him as Charlie. “When I met with Steve he said, ‘I see you more as Patrick,’ ” Lerman says. “And I said, ‘I really like that role, but I’m more interested in Charlie.’ ” They had another meeting during which Lerman auditioned with three sides, including two wildly different scenes—one in which Charlie gets stoned for the first time and one in which he begins to break down emotionally. Says Chbosky, “Right away, it was clear. Within 15 seconds I said to myself, ‘I’ve found Charlie.’ After his audition, I never held another, because he was perfect.”

To prepare for the role, Lerman arrived at the Pittsburgh set two weeks early and stayed alone at a motel in the middle of a strip mall. He got into town on Easter Sunday and took himself out for a meal at the local T.G.I. Friday’s. “Everyone was looking at me like, ‘Poor kid,’ ” Lerman says. “They were all with their families, and I was eating alone. But it really helped me get in touch with that isolation. It made me awkward all over again.”

Also on Lerman’s agenda was “trying to find things that really disturbed me” to get into Charlie’s fragile mental state. He began to watch documentaries, noting, “Movies don’t disturb me as much because I can stand back and see it’s a film. But a documentary is a record of something real. And that can really mess me up.” Lerman watched more than 50 documentaries, including a 2002 film called “Gladiator Days: Anatomy of a Prison Murder” that was of particular help. “There’s a scene where Charlie says he can’t get images out of his head, and they’re driving him crazy. And this is what I thought of, this was the thing driving me crazy. It was the most disturbing thing I’ve ever seen, and it helped me a lot.”

A career filled with famous co-stars no doubt also helped prepare Lerman for channeling emotional turmoil. The actor says he was never more anxious than when working on “3:10 to Yuma,” in which he beat out more than 100 actors to share the screen with Crowe and Christian Bale. Says casting director Sarah Katzman of Lerman’s character, “That was the hardest role because there are a lot of kids out there, but they are very Hollywood-ized. To find someone who’s a natural who feels they could be from 1885 and from the plains—it was very hard.” Lerman admits to some early nerves. “I expected these intense actors, but they were both wonderful and generous, and I learned so much from them,” he says. “It ended up being an amazing experience all around.”

Lerman is learning that good work begets more work. Case in point: When Aronofsky was casting “Noah,” he asked Chbosky to show him “Perks.” Aronofsky was impressed enough that he cast not only Lerman but Watson as well. A huge fan of Aronofsky’s, Lerman can’t wait for people to see the finished film. “I don’t know exactly how to describe it,” he says. “But from the script and the concept art and just talking to Darren, this is not a children’s story. It’s going to be amazing, and I think it will really blow people away. It’s one in a string of projects that I’m just honored to get to be a part of.”

Source: Backstage



Written on Sep 06, 2012 by Angelic

Backstage celebrates the 2012 Toronto Film festival this week. In addition to hotly anticipated flicks like “Anna Karenina” and “The Master,” we share 10 more movies we’re most excited about. But sometimes what happens in Toronto stays in Toronto, so we look back at five performances that elicited plenty of buzz during the festival, but fizzled in release.

And for our cover, rising star Logan Lerman—represented at Toronto with “Writers” and “The Perks of Being a Wallflower”—talks about becoming a leading man, how he finally decided to turn serious about acting as a career, and how good work begets more good work. For these stories and more, pick up a copy of Backstage on newsstands Thursday. And for more features and news, check Backstage.com throughout the week.

Source: Backstage



Written on Aug 21, 2012 by Angelic

THE YOUNG STARS OF THIS FALL’S ’90S FLASHBACK THE PERKS OF BEING A WALLFLOWER OFFER A GLIMPSE OF HOLLYWOOD’S FUTURE

PHOTOGRAPHY COLLIER SCHORR
FASHION JAY MASSACRET

LOGAN LERMAN
Age: 20 Birthday: January 19, 1992 Hometown: Los Angeles

How do you relate to your Perks character? How do you differ? 
I enjoy writing and music like Charlie does, but honestly I don’t feel that we’re very similar. That’s actually what made this role so interesting for me. I’m definitely not as introverted or neurotic as Charlie! He is very naïve. I don’t think I was like that at that age. 

What was the first book that you felt had a deep impact on you? What was the most recent that’s had a similar effect? 
I’d have to say The Giving Tree, it was such a simple but profound book. The Great Gatsby too. I recently read David Sedaris’s When You Are Engulfed in Flames. 

Besides acting,how else do you express yourself? 
I love to play music, that’s the main way. But I love writing as well. 

How did you get into the early ’90s mind-set? 
Other than having to use a tape deck during filming, I don’t feel as if I necessarily had to change my mind-set. with the ’90s having been portrayed in the media so much anyway, I guess I already had a familiarity with the time period. Youth culture will always be youth culture, but it’s definitely different with the Internet, social media, and everyone being constantly connected. 

What major message of  The Perks of Being a Wallflower do you connect with most? 
I most connected with the idea that you should be able to do what you want to do and be who you want to be and not worry so much about conformity—especially the conformity that comes with regional affiliation. 

What excites you most about a future in film and acting? What scares or intimidates you most? 
The idea of continuing to work with great filmmakers is always so exciting to me. What scares me the most is that I have a career in acting. 

What role does music play in your life? How do you discover new music? What are your favorite bands? 
Music plays a HUGE role in my life, it’s the way I unwind and express myself. It’s very therapeutic to me, and playing music after reading a script helps me sort of tonally figure out the role I’m about to play. Friends tell me about great new music, and I search through the Genius part of iTunes too. I’m really into Arcade Fire, Neil Young, the Strokes, the Velvet Underground, and the Rolling Stones.



Written on Oct 13, 2011 by Angelic

I’ve added new scans of Logan Lerman featured in the fashion spread of the November issue of ‘Teen Vogue’ magazine to the gallery. The photoshoot was taken by Daniel Jackson.



Written on Oct 05, 2011 by Angelic

Logan Lerman has been lucky enough to be cast in star-studded movies as a youngster, rubbing shoulders with scandal-makers and Oscar winners alike. He’s been eye to eye with the likes of Mel Gibson, Russell Crowe and Christian Bale, to name a few. Now, as a man, he goes toe to toe with DA MAN in sleek high fashion attire and tells us about his filmmaking ambitions and his music. By Oliver Singer and M. Berlian.

With his first big blockbuster since the success of last year’s fantasy-adventure film Percy Jackson & the Olympians: The Lightning Thief, Lerman is now starring as D’Artagnan in a much-anticipated re-make of The Three Musketeers alongside the likes of Orlando Bloom, Milla Jovovich and Oscar-winning actor Christoph Waltz.

In addition to those two, some of Lerman’s other noteworthy credits include The Butterfly Effect ( 2004), Hoot (2006), The Number 23 (2007), 3:10 to Yuma (2007), Meet Bill (2008) and Gamer (2009).
Here, he tells us about his role in the re-make of Alexandre Dumas’ classic book, his family, his passions outside of acting and how he feels “at home” in Berlin.

DA MAN: Tell us about The Three Musketeers? As a re-make, what makes this version different?
Logan Lerman: It’s a version where the musketeers are portrayed as kind of like the James Bonds of their time. They are weaponry experts and have all of these gadgets and little details; fun little things they added.

DA MAN: D’Artagnan is a very different role for you—how did you approach it?
Logan Lerman: Yes, it was a different role for me. The character is cocky and impulsive, and different from any other character I’d played, but on top of that, it was just a really physically challenging movie to make. [It involved] months and months of training and detailed fight scenes that are constantly changing throughout the process; constantly staying on your toes and being ready to try something that scares you throughout the whole process. It was intense and nerve-racking, but in the end, you get such an adrenalin rush from doing it that, at the end of each day, you’re glad that whatever you did went well and no one got hurt.

DA MAN: You grew up near Hollywood, right?
Logan Lerman: Yes, I went to school right around here. My elementary school was right around here and then Beverly Hills high school, yes.

DA MAN: Did you finish high school?
Logan Lerman: I did. When I wasn’t working, I was in school.

DA MAN: When did you start acting?
Logan Lerman: Started when I was seven. I don’t remember it. I quit for a while at 10 or something. I didn’t have a good experience and just wanted to relax and go to school. Then I only got back into it once I began developing an interest in production and the whole filming process—about each department—having an awareness for what was happening on set. Since then, it’s been about trying to understand each individual position that goes into making a film.

DA MAN: Is that what drove you back toward it—the filmmaking process?
Logan Lerman: Yes, I started to pay more attention to the actual process and learn more about the process of film and making them. Or TV. When I was 12, I was working on this show, Jack and Bobby, and that was the start of my passion for the creative process of filmmaking. I mean, I got into the business early just by chance. I tried it out and it ended up working and I didn’t develop an actual interest in film until that show.

DA MAN: What were you enamored with most?
Logan Lerman: I had no concept of editing … I didn’t understand anything; about how a camera worked or how to make films and that’s when I opened my eyes and started learning more. It’s been my life ever since.

DA MAN: Being so interested in the film process as a whole, when you read scripts, are you looking at more than just your potential role in it?
Logan Lerman: Always. Yes, always. I ask a lot of questions when finding out about new projects, and seeing which ones I want to do. Sometimes, you take risks and you do a movie because you believe in the story. But, it’s also balanced in the fact that you trust the director, you trust the DP [director of photography], or the producing team or the studio that’s putting it out there—and that you think they’re going to do a good job with it. You have to look at each little leg and see that the project will stand on its own. • Read full story »



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